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Sequence II
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Sequence II (full playing score)
String Ensemble Cello - Level 2 - Digital Download SKU: A0.998823 Composed by Rober…
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String Ensemble Cello - Level 2 - Digital Download SKU: A0.998823 Composed by Robert A. Howard. 20th Century,Chamber,Classical,Contemporary,Halloween. 3 pages. Robert A. Howard #6098083. Published by Robert A. Howard (A0.998823). This composition exploits the sustaining qualities, rich timbre and harmonic potential of four cellos. Just one of the four parts changes a single note at a time, thus creating the next chord. Harmonies are sustained for as long as the players wish, before moving on to the next bar. 'Sequence II' is accessible for the listener and is appropriate for most standards of cellist, including students and advanced players. This document is the 2-page full score, which also serves as the full playing score.
$2.99
2.79 €
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Robert A
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Sequence II
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Robert A. Howard
#
SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
140 €
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Percussion Ensemble
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
Alla Campana II - Score Only
Level 2 - Digital Download SKU: A0.1405126 Composed by Robert A. Howard. 21st Centu…
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Level 2 - Digital Download SKU: A0.1405126 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Thriller. 3 pages. Robert A. Howard #988154. Published by Robert A. Howard (A0.1405126). This work derives material from the first 'Alla Campana' piece, also available via SMP. Alla Campana II is flexibly scored in up to 5 instrumental parts and consists of a sequence of related bell-like tones. It was originally conceived for outdoor performance and can serve as a fanfare-type work. There is further flexibility in the number of repetitions performers choose to make, and whether to be spatially separated or not. There is also choice concerning whether to follow the suggested procedure of varying cumulative combinations of parts, on each repeat, thus resulting in a textural increase throughout the performance. The document provided is the full score only.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99
2.79 €
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Robert A
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Alla Campana II - Score Only
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Robert A. Howard
#
SheetMusicPlus
Mosaic II
Celesta,Instrumental Solo - Level 4 - Digital Download SKU: A0.998860 Composed by R…
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Celesta,Instrumental Solo - Level 4 - Digital Download SKU: A0.998860 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Individual part. 6 pages. Robert A. Howard #6264815. Published by Robert A. Howard (A0.998860). This second piece in the series of 'Mosaic' works is written for solo celesta. As in the other Mosaic pieces, a series of early, unrelated sketches were reworked to create this piece. Mosaic II is essentially a series of textural variations on the opening nine bar chord sequence and bass line. The unique timbre and register of the celesta is exploited, creating a mysterious and other-worldly atmosphere. The piece is highly accessible and is appropriate for most standards of celesta player, including students and advanced instrumentalists.
$3.99
3.72 €
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Robert A
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Mosaic II
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Robert A. Howard
#
SheetMusicPlus
Three note II V I Chords Cycle of fifths - 3rd on top
Piano solo
Piano Solo - Digital Download SKU: A0.965199 Composed by Robin Thomson. Arranged by…
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Piano Solo - Digital Download SKU: A0.965199 Composed by Robin Thomson. Arranged by Robin Thomson. Instructional,Jazz. Score. 1 pages. Robin Thomson #4838203. Published by Robin Thomson (A0.965199). 7th always moves down a half stepA little tip I use to help me find the first minor 7th chord in the right hand in each sequence is to look for the root note above the root in the left hand. The 7th underneath it is played by the thumb and a finger is used for the perfect 4th above. To play the Dominant 7th chord, play a semitone below the lower note in the fourth of the II chord with the thumb to make a diminished fifth. To play the Major 7th chord, play a semitone below the top note in the diminished fifth of the V7 chord with a finger to make a perfect fourth again!
$1.99
1.86 €
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Piano solo
#
Robin Thomson
#
Three note II V I Chords Cycle of fifths - 3rd on top
#
Robin Thomson
#
SheetMusicPlus
Three note II V I Chords Cycle of fifths - 7th on top
Piano solo
Piano Solo - Digital Download SKU: A0.965200 Composed by Robin Thomson. Arranged by…
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Piano Solo - Digital Download SKU: A0.965200 Composed by Robin Thomson. Arranged by Robin Thomson. Instructional,Jazz. Score. 1 pages. Robin Thomson #4838205. Published by Robin Thomson (A0.965200). 7th always moves down half a stepA little tip I use to help me find the first minor 7th chord in the right hand in each sequence is to look for the 3rd above the root in the left hand. Play it with the thumb and a finger on the second note a fifth above. To play the Dominant 7th chord, play a semitone below the top note in the fifth of the II chord to make a diminished fifth. To play the Major 7th chord, play a semitone below the bottom note of the diminished chord of the V7 to make a perfect fifth again!
$1.99
1.86 €
#
Piano solo
#
Robin Thomson
#
font-weight: normal
#
Three note II V I Chords Cycle of fifths - 7th on top
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Robin Thomson
#
SheetMusicPlus
Sonnet II
Piano solo
Piano Solo - Level 3 - Digital Download SKU: A0.1089365 Composed by Robert A. Howar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1089365 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 5 pages. Robert A. Howard #693563. Published by Robert A. Howard (A0.1089365). This is the second in a set of three piano miniatures, which, as part of the compositional process, originally derived melodic material by setting lines from Shakespeare's Sonnets to music. In this ternary form piece, the initial section builds harmonies from a simple two-note rocking idea. Then follows a middle part based on a sequence of semiquaver arpeggio figures, before returning to a variation of the opening section, developing into a 6/8 coda. The piece is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Other works from the Sonnet cycle, as well as the complete set, are also available via Sheet Music Plus. Duration: 2 minutes 15 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$3.49
3.26 €
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Piano solo
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Robert A
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Sonnet II
#
Robert A. Howard
#
SheetMusicPlus
Missa defunctorum tribus vocibus (Asola)
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1003384 Composed by Giovann…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1003384 Composed by Giovanni Matteo Asola. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,World. Octavo. 15 pages. CantemusDomino.Net #3537457. Published by CantemusDomino.Net (A0.1003384). A complete Requiem Mass for TTB/ATB or SSA choir by Giovanni Matteo Asola (c.1532–1609) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~3:30);2. Kyrie (~1:40);3. Gradual Requiem aeternam (~1:05);4. Tract Absolve Domine (1:30);5. Sequence Dies irae, odd verses (~5:00 plus length of even chant verses [not included]);6. Offertory Domine Iesu Christe with verse Hostias et preces (~3:45);7. Sanctus (~1:10);8. Benedictus (~0:40);9. Agnus Dei* (~1:30);10. Communion Lux aeterna with verse Requiem aeternam (~1:20).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.Total length: ~21:10 plus length of chanted Sequence (odd verses) [not included].Range requirements (middle C = C4):· Cantus [Tenor I/Alto or Soprano I]: G3–G4 or G4–G5· Tenor [Tenor II or Soprano II]: C3–E4 or C4–E5· Bassus [Bass or Alto]: G2–C4 or G3–C5
$4.50
4.2 €
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Choral 3-part
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Giovanni Matteo Asola
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Missa defunctorum tribus vocibus
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CantemusDomino.Net
#
SheetMusicPlus
Officium [Missa] pro defunctis a 3 (Biondi da Cesena) - SSA
Choral 3-part
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1003382 Composed by Giovann…
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1003382 Composed by Giovanni Battista Biondi da Cesena. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Spiritual,World. Octavo. 12 pages. CantemusDomino.Net #3536731. Published by CantemusDomino.Net (A0.1003382). A compact Requiem Mass by Giovanni Battista Biondi da Cesena (fl. 1598–1609), transposed up a major ninth for SSA choir, consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~2:00);2. Kyrie (~1:30);3. Sequence Dies irae, even verses (~3:20 plus length of odd chant verses [not included]);4. Offertory Domine Iesu Christe with verse Hostias et preces (~3:45);5. Sanctus (~0:45);6. Benedictus (~0:20);7. Agnus Dei* (~1:10);8. Communion Lux aeterna with verse Requiem aeternam (~1:10).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.An edition in the original notated key for TTB choir is available.Total length: ~14:00 plus length of chanted Gradual, Tract/Alleluia, and Sequence (even verses) [not included].Range requirements (middle C = C4):· Tenor I [Cantus I]: E4–F♯5· Tenor II [Cantus II]: D3–E4· Bass [Altus]: G3–C4
$4.50
4.2 €
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Choral 3-part
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Giovanni Battista Biondi da Cesena
#
Officium [Missa] pro defunctis a 3
#
CantemusDomino.Net
#
SheetMusicPlus
Officium [Missa] pro defunctis a 3 (Biondi da Cesena)
Choral 3-part
Choral Choir (3-Part) - Level 3 - Digital Download SKU: A0.1003339 Composed by Giov…
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Choral Choir (3-Part) - Level 3 - Digital Download SKU: A0.1003339 Composed by Giovanni Battista Biondi da Cesena. Arranged by Aristotle A. Esguerra. Christian,Contemporary,Renaissance,Sacred,World. Octavo. 10 pages. CantemusDomino.Net #3533867. Published by CantemusDomino.Net (A0.1003339). A compact Requiem Mass for TTB choir by Giovanni Battista Biondi da Cesena (fl. 1598–1609) consisting of the following movements:1. Introit Requiem aeternam with verse Te decet hymnus (~2:00);2. Kyrie (~1:30);3. Sequence Dies irae, even verses (~3:20 plus length of odd chant verses [not included]);4. Offertory Domine Iesu Christe with verse Hostias et preces (~3:45);5. Sanctus (~0:45);6. Benedictus (~0:20);7. Agnus Dei* (~1:10);8. Communion Lux aeterna with verse Requiem aeternam (~1:10).*Text underlay for the Ordinary (Novus Ordo) Form of the Roman Rite also supplied.A transposed edition for SSA choir is available.Total length: ~14:00 plus length of chanted Gradual, Tract/Alleluia, and Sequence (even verses) [not included].Range requirements (middle C = C4):· Tenor I: D3–E4· Tenor II: C3–D4· Bass: F2–B♭3
$4.50
4.2 €
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Choral 3-part
#
Giovanni Battista Biondi da Cesena
#
Officium [Missa] pro defunctis a 3
#
CantemusDomino.Net
#
SheetMusicPlus
Four Forces (First movement) I. Strong Forces
Percussion Ensemble
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
280.01 €
#
Percussion Ensemble
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
A Night In Tunisia
Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Diz…
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Guitar,Piano - Level 3 - Digital Download SKU: A0.747044 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5953127. Published by Keith Terrett (A0.747044). A great sounding arrangement of A Night in Tunisia arranged for Guitar (notaion) & Piano, Guitarists will love this! Tab is available on request: keithterrett@gmail.comA jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.39 €
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
#
SheetMusicPlus
A Night In Tunisia
Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Dow…
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Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747043 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5953111. Published by Keith Terrett (A0.747043). A great sounding arrangement of A Night in Tunisia arranged for Vibraphone/Marimba & Piano, Vibe players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.39 €
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Paschaltide Suite for Organ
Organ
Organ - Level 3 - Digital Download SKU: A0.1377627 By Dr. Sheri L. Masiakowski. By …
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Organ - Level 3 - Digital Download SKU: A0.1377627 By Dr. Sheri L. Masiakowski. By Sr. Theophane Hytrek OSF (Sr. Mary Theophane OSF). Arranged by Dr. Sheri L. Masiakowski. 20th Century,Easter,Sacred,Traditional. Score. 20 pages. School Sisters of St. Francis #961195. Published by School Sisters of St. Francis (A0.1377627). First published in 1953, this composition precedes Sr. Theophane’s doctoral study at the Eastman School of Music. The style is tonal. The difficulty level approximates that of her Suite in Honor of Mary Immaculate which was published around the same time.The five movements of “Paschaltide Suite” use the following propers of Easter: I. Introit - Resurrexi, II. Alleluia - plainchant mode VI Holy Saturday Matins antiphon, III. Sequence - Victimæ Paschali Laudes, IV. Communion - Pascha Nostrum, and V. Alleluia (as before). The Gregorian Chant score and its translation precede each movement in the score.
$16.99
15.86 €
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Organ
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Dr
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Paschaltide Suite for Organ
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School Sisters of St. Francis
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SheetMusicPlus
Violescent Dreams for Solo Viola
Viola
Viola Solo - Level 5 - Digital Download SKU: A0.509631 Composed by Akmal Parwez. Co…
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Viola Solo - Level 5 - Digital Download SKU: A0.509631 Composed by Akmal Parwez. Concert,Contemporary,Instructional,Standards. Individual part. 6 pages. Tamarind Tones Music #6102091. Published by Tamarind Tones Music (A0.509631). Dream SequenceI. LanguidoII. LeggeroIII. Lesto.
$7.50
7 €
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Viola
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Akmal Parwez
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Violescent Dreams for Solo Viola
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Tamarind Tones Music
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SheetMusicPlus
A Night In Tunisia
French Horn and Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. B…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.747029 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899751. Published by Keith Terrett (A0.747029). A great sounding arrangement of A Night in Tunisia arranged for Oboe & Piano, Horn players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.39 €
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French Horn and Piano
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Flute and Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizz…
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Flute,Piano - Level 3 - Digital Download SKU: A0.747025 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899351. Published by Keith Terrett (A0.747025). A great sounding arrangement of A Night in Tunisia arranged for Flute & Piano, Flautists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.39 €
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Flute and Piano
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Trumpet, Euphonium (duet)
Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By…
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Euphonium,Instrumental Duet,Trombone - Level 3 - Digital Download SKU: A0.747026 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #5899355. Published by Keith Terrett (A0.747026). A great sounding arrangement of A Night in Tunisia arranged for Baritone, Euphonium, Trombone (BC) & Piano, low brass players will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.39 €
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Trumpet, Euphonium (duet)
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
English Autumn
Small Ensemble,Strings Clarinet - Level 5 - Digital Download SKU: A0.913624 Compose…
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Small Ensemble,Strings Clarinet - Level 5 - Digital Download SKU: A0.913624 Composed by James Marshall. Contemporary,Folk. Score and parts. 87 pages. James Marshall Music #6096869. Published by James Marshall Music (A0.913624). English Autumn was composed in Fall/Winter 2018-2019 for Clarinetist Allison Eales commissioned by the Gregynog . Scored for Clarinet in A and String Trio it reflects the collage of Autumn colors: Green, Yellow, Brown shades of first Autumn; Red, Orange of Autumn at its peak. It followed my English Sonatina for young clarinetists premiered by Alison Eales and Anna de Hair in London in January, 2019, and was premiered in London in October, 2019. This piece reflects the heightened emotions of fiery intensity reflected in the changing of the colors of the leaves in Autumn. Reflected as well is the serene beauty before the Autumn arrives, and the resignation of the eternal cycles of nature. The opening section (Andante) evokes the feeling of nostalgia and assurance of the inevitable cycle of nature. We know the life will go from the tress only to return again next season. We feel the joy of the intense colors of the foliage, and the sadness of the loss of life in winter. This section segues into Green (Adagio cantabile) with pastoral music and quotes of The Water is Wide and I pass all the hours in a shady grove of Pelham Humphrey. This leads into Red (Allegro con fuoco/Presto), followed by Orange (Declamando) as well as absence of color when the leaves all fall. I pass all the hours is a song by Pelham Humphrey with words by Charles II: I pass all the hours in a shady grove …When I see the print of her shape in the green…I think there’s no hell like loving too well, The melody is incorporated because it is the same melodic motif of the Scherzando movement of my English Sonatina for young clarinetists which Alison Eales and Anna de Hair premiered. I discovered it after composing that piece in researching English folk songs to refer to in this piece. It is an ideal segue into the Allegro con fuco/Presto music. The final section (Andante cantabile) is my personal melodic sequence from the rising motif of Over the hills and far away.
$19.99
18.66 €
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James Marshall
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English Autumn
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James Marshall Music
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SheetMusicPlus
Rags To Riches
C Instruments
C Instrument - Level 4 - Digital Download SKU: A0.509421 Composed by Jerry Ross and…
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C Instrument - Level 4 - Digital Download SKU: A0.509421 Composed by Jerry Ross and Richard Adler. Arranged by John Fries. Film/TV,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #120456. Published by John Fries (A0.509421). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. The best-known version of the song, recorded by Tony Bennett with Percy Faith and his orchestra, was number one for eight weeks on the Billboard chart in 1953 and became a gold record. Tony Bennett's version was featured in the opening sequence of the 1990 film Goodfellas. The opening line of the song was sung regularly and exuberantly by the character Carmine Ragusa on the television series Laverne & Shirley, typically when he had good news. The song was also used in an episode of Columbo. Jackie Wilson's version of the song is featured in the 2010 video game Mafia II.
$3.99
3.72 €
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C Instruments
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Jerry Ross and Richard Adler
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Rags To Riches
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John Fries
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina Urchueguía have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
50.39 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
Rags To Riches
Piano, Vocal and Guitar
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201346 Composed by J…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201346 Composed by Jerry Ross and Richard Adler. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 2 pages. John Fries #800000. Published by John Fries (A0.1201346). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. The best-known version of the song, recorded by Tony Bennett with Percy Faith and his orchestra, was number one for eight weeks on the Billboard chart in 1953 and became a gold record. Tony Bennett's version was featured in the opening sequence of the 1990 film Goodfellas. The opening line of the song was sung regularly and exuberantly by the character Carmine Ragusa on the television series Laverne & Shirley, typically when he had good news. The song was also used in an episode of Columbo. Jackie Wilson's version of the song is featured in the 2010 video game Mafia II.
$4.99
4.66 €
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Piano, Vocal and Guitar
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Jerry Ross and Richard Adler
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Rags To Riches
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John Fries
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SheetMusicPlus
A Night In Tunisia
Soprano Saxophone and Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gilles…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.39 €
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Soprano Saxophone and Piano
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
A Night In Tunisia
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespi…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.747020 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5898999. Published by Keith Terrett (A0.747020). A great sounding arrangement of A Night in Tunisia arranged for Bb Tenor Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.39 €
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Tenor Saxophone and Piano
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Dizzy Gillespie
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
5 Vignettes from Norwegian Nature (for Alto Saxophone and Piano)
Alto Saxophone and Piano
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.942…
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.942498 Composed by Nikolai Clavier. 20th Century,Contemporary,Folk,World. Score and parts. 58 pages. Nikolai Clavier #6039345. Published by Nikolai Clavier (A0.942498). I was asked to write this piece for a Norwegian saxophonist studying in Copenhagen. He was looking for new music from each of the Scandinavian countries, and I decided to make my contribution a homage to the beautiful nature that Norway has to offer. Thus I drew inspiration from traditional folk music, as well as the majestic images of mountains, fjords and valleys across the Norwegian landscape. This piece has five movements and each has an illustrating title, creating a narrative sequence of movements. A vignette is a brief evocative description, account or episode. This produced a challenge in the sense that I had to be musically brief and technically concrete withing the span of a short movement. This in addition to the challenge of creating appropriate soundscapes and colors. The five movements are:I. Views over the FjordII. Winter sceneryIII. Nora at the farmIV. The Midnight Sun over the Finnmark HighlandsV. Autumn rain at the southern coastAn other interesting fact to note is the fact that the last four movements has rather specific seasons attached to themselves. Second movement is a winter movement with the original title Snow covered mountains and icy waters, and then follows a spring movement, a clear summer movement and autumn at last.
$19.99
18.66 €
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Alto Saxophone and Piano
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Nikolai Clavier
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5 Vignettes from Norwegian Nature
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Nikolai Clavier
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SheetMusicPlus
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